ABSTRACT:

Ernest Hemingway’s prose is frequently celebrated for its surface simplicity, yet scholarly consensus increasingly recognizes his minimalism as a deliberate, multi-layered narrative architecture rather than mere stylistic reduction. This study systematically examines the minimalist features of Hemingway’s writing through a qualitative stylistic and narratological lens, applying close reading and manual parameter tracking to a curated corpus of his canonical short fiction and novellas. The analysis isolates six interlocking formal characteristics: syntactic parataxis, lexical restraint, dialogue-driven structure, subtextual omission (the Iceberg Theory), rhythmic repetition, and an objective narrative voice. Findings indicate that these elements operate synergistically to generate semantic density through strategic omission, positioning the reader as an active co-creator of meaning. The discussion situates Hemingway’s techniques within modernist aesthetics, reader-response theory, and cognitive narratology, while addressing implications for literary translation, stylistic pedagogy, and contemporary minimalist fiction. By reframing Hemingway’s economy of expression as a calculated narrative strategy, this research contributes a replicable analytical framework for studying economical prose and underscores the enduring theoretical relevance of textual restraint in twentieth- and twenty-first-century literary practice.

Keywords: Ernest Hemingway; literary minimalism; Iceberg Theory; narrative economy; stylistic analysis; modernist prose.